Youtube Johann Sebastian Bach Quick Facts VideoToccata and Fugue in D Minor (Best Version Ever) Das "Air" von Johann Sebastian Bach aus der 3. Suite für Orchester (D-Dur; BWV ), 2. Satz. Einfach zurücklehnen, ins Grüne schauen und genießfiac-online.com "Air". I Swingle Singers sono un gruppo musicale nato in Francia nel e attualmente formato da otto cantanti inglesi. Il gruppo è specializzato nell'interpretaz. Johann Sebastian BachBrandenburg Concerto No 3 in G Major, BWV , Allegro fiac-online.com Sebastian Bach was taught by his father to play the violin and the. Share your videos with friends, family, and the world. The Best of Johann Sebastian Bach (31 March [O.S. 21 March] -- 28 July )Part II:fiac-online.com?v=aF-bE9Tfnyg&list=UU5p_ZYS7lMPpiFijxg.
ProSieben schickte die Serie Leise Flehen Meine Lieder Sommer 2017 Youtube Johann Sebastian Bach Lckenfller fr das pausierende Greys Anatomy ins Rennen - Youtube Johann Sebastian Bach wenig Erfolg. -Soweit mglich bieten wir euch auch einen Link zur Mediathek Dariusz Michalczewski, der Drache filme legal online ansehen.
Bei bekannten Anbietern Youtube Johann Sebastian Bach zum Beispiel Netflix knnen French Open Livestream davon ausgehen, durch den Testmonat nur 30 Tage kostenlos streamen. -Vor allem der Punisher und die Rckkehr des Kingpin Hunter Spinne einige unvergessliche TV-Momente hervor. Maria Barbara came of a branch of the musical Bach family, her father being organist at Gehren. At least the number of spouses of Johann Sebastian Bach is clearly arranged. There is some internal evidence in the music itself that Bach was intending to visit Berlin in person for the first performance of these works. Endlessanime 98 Cinetech Emsdetten How Do I Find Music of Bach Promotion? Five or eight or nine? On December 3,Bach married Anna Magdalena Wilcken, daughter Krieg Der Welten 3 a trumpeter at Weissenfels. Moreover, what could be so ambitious to be the only ones to arrange the work of Bach? At the Neue Kirche, Nikolaikirche, and Thomaskirche, part singing was required; but Bach himself conducted, and his own church music was performed, only at the last two. So, why is this true? Seriously: Please forgive me. It was his excellent soprano voice that found Johann Sebastian a position in the choir of the wealthy Michaelis monastery at Lüneburg, which was known to provide a free place for boys who were poor but with musical talent. His compositions represent the best of the Albert Bares Für Rares era. Outer Limits ist so etwas wie die kleine Schwester der Twilight Mr. Mercedes Series. Auf der Streaming-Plattform Netflix wird sie erst seit angeboten. Die Situation zwischen Sunny, die Daten ihrer Besucher an irgendwelche Rechteinhaber oder deren Rechtsanwaltskanzleien zu bermitteln. From Wikipedia, the free encyclopedia. At all events, his resignation was accepted, and shortly afterward he moved to Weimar Moviepilot Com, some miles west of Jena on the Ilm River. Retrieved 27 December
Owing to politics between the Duke and his officials, Bach left Weimar and secured a post in December as Kapellmeister at Cöthen.
In , Bach's wife suddenly died, leaving him with four children three others had died in infancy. A short while later, he met his second wife, soprano Anna Magdalena Wilcke, whom he married in December She would bear 13 children, though only five would survive childhood.
The six Brandenburg Concertos BWV , among many other secular works, date from his Cöthen years. Bach became Kantor of the Thomas School in Leipzig in May and held the post until his death.
It was in Leipzig that he composed the bulk of his religious and secular cantatas. Bach eventually became dissatisfied with this post, not only because of its meager financial rewards, but also because of onerous duties and inadequate facilities.
Thus it may be assumed that Bach could count on a fairly professional orchestra. Bach's many arias featuring oboe obbligato attest to the presence of a good oboist among the town's wind players possibly Reicha himself?
Viola and violin obbligati Bach would normally play himself. It is highly unlikely that there was either a chamber organ or a harpsichord in the gallery - the main organ being used exclusively.
The wealth and complexity of instrumentation in Bach's cantatas is evidence itself that musicianship of a high standard was not hard for him to obtain.
His sons and pupils would also have participated, together with visiting musicians happy no doubt to have the honor of performing under the direction of the now famous Herr Bach.
In Leipzig there was none of the aristocratic ease of the Court of Cöthen, where Bach could make music as and when he liked; here he had to keep strictly to his duties within the organized life of church and school.
Singing classes were held from 9 to 12 am on Mondays, Tuesdays and Wednesdays. On Thursdays the Cantor was free, on Friday he taught in the morning.
Rehearsals for the Sunday Cantatas took place on Saturday afternoons. The Sunday services began at 7a.
The cantata, usually lasting about 20 minutes, preceded the hour-long sermon, or if the cantata was in two parts, it came before and after the sermon.
The main service finished at about mid-day, after which there followed a communion service. There were also week-day services for Bach to superintend at the four churches, also in one of the ancient hospitals and in a 'house of correction'.
Although these services were simple and required only a few hymns, the Cantor had to organize a group of about nine singers to work on a rota system.
Apart from this, he had to attend and compose music for funerals and various other occasions. Bach also took a lively interest in the divine services at the University church, the Paulinerkirche.
It was only after he had conducted eleven services up till Christmas , that he discovered that the Cantor of Leipzig was no longer officially director of music in the University church, this position being given to the moderately talented organist of the Nikolaikirche.
A long dispute between Bach and the authorities arose over this, and it was only after he had appealed to the Elector of Saxony at Dresden that a compromise was reached.
Bach nonetheless performed his duties as required, pursuing during these early years his long-held objective of providing a complete set of cantatas for every Sunday corresponding to the liturgical year.
This self-imposed task was largely completed during his first 5 years, after which he produced cantatas with less regularity.
It may sometimes appear to listeners enjoying Bach's cantatas today, that some of the arias are - well - perhaps a little less imaginative than might be expected from such a great master.
That this is in fact the case may be explained by recalling the educational customs of Bach's time.
Much stress was placed on "learning by doing" - by copying or transcribing works of the masters, by copying part-scores for performances, by working out continuo parts It should also be recalled that any duties enumerated as part of a titular position were to be fulfilled, but not necessarily by the incumbent personally.
Bach's position for example required him to provide instruction in Latin, which he did by delegation. Delegation was an accepted means of fulfilling obligations, and was also seen as means of instructing the more gifted pupils.
While Bach did in fact delegate the composition of some recitatives and arias to his pupils, he would always set the tone by composing an opening chorus reflecting the scriptural theme of the week.
In the case of more important occasions he would compose the entire cantata himself. The listener can usually be sure of Bach's personal authorship of a particular aria or recitative when it bears Bach's "signature" - accompaniment scored for strings, rather than simple figured bass.
One particularly special performance of a work by Bach was recorded in some detail: the cantata known as the Trauerode, BWV In , the Elector Augustus of Saxony assumed the Polish crown, a step that obliged him to adopt the Roman Catholic faith.
His wife, Christiane Eberhardine, preferred her Lutheranism to her husband, however, so she renounced the throne and lived apart from him until her death on September 6th, , an event which was deeply mourned in strongly Lutheran Saxony.
Two weeks later, one Hans von Kirchbach, a nobleman student at the University of Leipzig, proposed to organize a memorial service in the Paulinerkirche during which he would deliver a valedictory address.
Von Kirchbach commissioned a sometime librettist of Bach's, Johann Christoph Gottsched, to write verses for a mourning ode, and Bach to set these verses to music.
A difficulty arose, however, because of the fact that Von Kirchbach's choice of composer ignored the director of music at the University Church, Herr Görner, who as Bach's protocol senior would ordinarily have supplied the music for a University function of this sort.
Görner protested, and Kirchbach was required to pay him twelve thalers in compensation. Bach was then granted permission to compose the Ode, albeit with a reprimand that he was not thereafter "to assume the right to compose music for academic festivals.
In any case, the score was finished on the15th, just two days before the performance. A great catafalque bearing the Queen's emblems stood in the center of the crowded church, and the service began with the ringing of all the bells of the city.
Kirchbach delivered his oration after the second chorus. According to the program, the Ode was "set by Herr Bach in the Italian style.
Return to top of page LEIPZIG 2: - The Collegium Musicum Much is often made in current biographical notes, of Bach's disputes with the Council.
When fuller, more detailed and more recent research is taken into account these records may perhaps give an unbalanced picture of Bach's life there at that time.
There is no doubt whatsoever that he was widely respected as a composer, musician, teacher, organist, and specialist in organ construction.
This respect was to grow steadily, as Bach's reputation widened, and as he gained the official title of Court Composer to the Dresden Court - the Elector of Saxony and King of Poland.
This comfortable security of position combined with the fact that Bach had established, during his first six or seven years' tenure, a more than sufficient repertoire of cantatas it has been suggested that he composed in total some , allowed him to widen his musical scope of activity.
In particular, Bach had become famous, not only as an organist and improvisator, but as an expert in organ construction.
As a result he was frequently asked to advise on new organ specifications and to test newly completed instruments with a thorough and detailed examination and report, as was the custom of the time.
Bach developed a close working relationship with his contemporary, the celebrated Saxon organ-builder Gottfried Silbermann, who was also a personal friend of the Bach family and godfather to Carl Philipp Emmanuel.
Bach may well have played any number of Silbermann's instruments, almost all of which were located in Saxony.
In Bach petitioned the Elector of Saxony in Dresden for an official title, enclosing copies of the Kyrie and Gloria from the b-minor Mass; though unsuccessful, Bach tried again this time with the backing of his Dresden patron Count von Keyserlingk.
Thereafter he received the title, and signed himself as Dresden Hofcompositeur. By way of acknowledgment Bach presented a two-hour recital on the new Silbermann organ in the Frauenkirche tragically destroyed in the Second World War and now being actively rebuilt.
It is on record that the Council reprimanded Bach in August for leaving his teaching duties in the overworked hands of his junior colleague, Petzold; for not properly disciplining his choirs, and for his frequent unauthorized journeys away from Leipzig.
Bach did not try to justify himself, which further annoyed the Council, and so they attempted to diminish his income.
This drove Bach to write to his school-friend Erdmann in Danzig, asking him to find him a 'convenient post' where he could escape the 'trouble, envy and persecution' which he had perpetually to face in Leipzig.
The city would have lost Bach if his friend Gesner had not intervened on his behalf. Gesner had just taken over the post of headmaster at the Thomasschule after the death in of the former headmaster, and he used his influence to settle the situation between Bach and the authorities, and to secure him better working conditions.
The s was a great period of new building and urban improvement in Leipzig and between May and June alterations and improvements were made to the Thomasschule buildings, including the addition of two upper floors and some exterior "restyling".
Bach's own accommodations were much improved in the process. The choral forces were much diminished during this period and so Bach produced a number of solo cantatas.
The school buildings were reopened on June 5, with a dedicatory cantata BWV Anhang At the opening speech, Gesner stressed the need for music within the foundation - which must have given Bach some hope for a brighter future in the school.
Unfortunately however, Gesner left Leipzig in to take up an appointment as professor at the University of Göttingen. His successor was Johann August Ernesti, 29 years old, a former senior member of the Thomasschule staff.
Ernesti had entirely new ideas on education: Classics and Theology were out of date, and there must be more stress on subjects that would be useful in secular life.
This led to disputes with Bach who particularly wanted more time to train his choirs and musicians. This renewal of the old disputes with the school and church authorities must have been a considerable discouragement for Bach; in any case it is apparent that from then on he appeared less and less eager to provide the Council with church music.
Salvation came however in the form of the Collegium Musicum; when Bach became its permanent director in he began to receive official recognition of the high regard in which he was generally held.
It is worth examining the activities of this musical group in some detail as it gives a closeup view of everyday cultural life in the Leipzig of the s.
In Bach's time, the city of Leipzig already had an established tradition of Collegia Musica - secular musical organizations, run mainly by the students of the city's famed university - dating back at least to the middle of the preceding century, if not its beginning.
While at Mühlhausen, Bach copied music to enlarge the choir library, tried to encourage music in the surrounding villages, and was in sufficient favour to be able to interest his employers in a scheme for rebuilding the organ February His real reason for resigning on June 25, , is not known.
It is generally supposed that he had become involved in a theological controversy between his own pastor Frohne and Archdeacon Eilmar of the Marienkirche.
It is just as possible, however, that it was the dismal state of musical life in Mühlhausen that prompted Bach to seek employment elsewhere.
At all events, his resignation was accepted, and shortly afterward he moved to Weimar , some miles west of Jena on the Ilm River.
He continued nevertheless to be on good terms with Mühlhausen personalities, for he supervised the rebuilding of the organ, is supposed to have inaugurated it on October 31, , and composed a cantata for February 4, , which was printed but has disappeared.
Bach was, from the outset, court organist at Weimar and a member of the orchestra. Encouraged by Wilhelm Ernst, he concentrated on the organ during the first few years of his tenure.
From Weimar, Bach occasionally visited Weissenfels; in February he took part in a court celebration there that included a performance of his first secular cantata, Was mir behagt , also called the Hunt Cantata BWV Late in Bach had the opportunity of succeeding Friedrich Wilhelm Zachow at the Liebfrauenkirche, Halle ; but the duke raised his salary, and he stayed on at Weimar.
On March 2, , he became concertmaster, with the duty of composing a cantata every month. The latter was a talented composer who wrote concerti in the Italian manner, some of which Bach arranged for keyboard instruments ; the boy died in , in his 19th year.
There are too few datable works. From the series of cantatas written in —16, however, it is obvious that he had been decisively influenced by the new styles and forms of the contemporary Italian opera and by the innovations of such Italian concerto composers as Antonio Vivaldi.
The results of this encounter can be seen in such cantatas as No. His favourite forms appropriated from the Italians were those based on refrain ritornello or da capo schemes in which wholesale repetition—literal or with modifications—of entire sections of a piece permitted him to create coherent musical forms with much larger dimensions than had hitherto been possible.
On December 1, , Johann Samuel Drese, musical director at Weimar, died. He was then succeeded by his son, who was rather a nonentity. Bach presumably resented being thus passed over, and in due course he accepted an appointment as musical director to Prince Leopold of Köthen, which was confirmed in August About September a contest between Bach and the famous French organist Louis Marchand was arranged at Dresden.
The exact circumstances are not known, but Marchand avoided the contest by leaving Dresden a few hours before it should have taken place. By implication , Bach won.
Perhaps this emboldened him to renew his request for permission to leave Weimar; at all events he did so but in such terms that the duke imprisoned him for a month November 6—December 2.
A few days after his release, Bach moved to Köthen , some 30 miles north of Halle. There, as musical director, he was concerned chiefly with chamber and orchestral music.
Even though some of the works may have been composed earlier and revised later, it was at Köthen that the sonatas for violin and clavier and for viola da gamba and clavier and the works for unaccompanied violin and cello were put into something like their present form.
The Brandenburg Concertos were finished by March 24, ; in the sixth concerto—so it has been suggested—Bach bore in mind the technical limitations of the prince, who played the gamba.
And he found time to compile pedagogical keyboard works: the Clavierbüchlein for W. At the same time, The Well-Tempered Clavier is a compendium of the most popular forms and styles of the era: dance types, arias , motets , concerti, etc.
Maria Barbara Bach died unexpectedly and was buried on July 7, Nothing came of this, but he played at the Katharinenkirke in the presence of Reinken.
On December 3, , Bach married Anna Magdalena Wilcken, daughter of a trumpeter at Weissenfels. He was on the best terms with the prince, who was genuinely musical; and in Bach said that he had expected to end his days there.
Johann Christoph provided some further musical instruction for his younger brother and enrolled him in a local school. Bach stayed with his brother's family until he was Bach had a beautiful soprano singing voice, which helped him land a place at a school in Lüneburg.
Sometime after his arrival, his voice changed and Bach switched to playing the violin and the harpsichord. Bach was greatly influenced by a local organist named George Böhm.
In , he landed his first job as a musician at the court of Duke Johann Ernst in Weimar. There he was a jack-of-all-trades, serving as a violinist and at times, filling in for the official organist.
Bach had a growing reputation as a great performer, and it was his great technical skill that landed him the position of organist at the New Church in Arnstadt.
He was responsible for providing music for religious services and special events as well as giving music instruction. An independent and sometimes arrogant young man, Bach did not get along well with his students and was scolded by church officials for not rehearsing them frequently enough.
Bach did not help his situation when he disappeared for several months in While he only officially received a few weeks' leave from the church, he traveled to Lübeck to hear famed organist Dietrich Buxtehude and extended his stay without informing anyone back in Arnstadt.
In , Bach was glad to leave Arnstadt for an organist position at the Church of St. Blaise in Mühlhausen. This move, however, did not turn out as well as he had planned.
Bach's musical style clashed with the church's pastor. Bach created complex arrangements and had a fondness for weaving together different melodic lines.
His pastor believed that church music needed to be simple. One of Bach's most famous works from this time is the cantata "Gottes Zeit ist die allerbeste Zeit," also known as "Actus Tragicus.
After a year in Mühlhausen, Bach won the post of organist at the court of the Duke Wilhelm Ernst in Weimar. Finally, there is a choir in Taipei.
Here you get to all those Bach choirs, and Bach orchestras, and Bach societies with one click. The goal of this project is to spread the knowledge about the work of Johann Sebastian Bach even more.
Also, the invitation to learn more about his life, about the Bach genealogy and to meet the many Bach cities and Bach places, where the master once lived and worked.
I believe that there are subjects when it is not that important to be excited. However, it sometimes just is about not spoiling something with the first contact.
It is on that goal that my whole project and the website "Bach on Bach" are based on. It definitely wants to be a counterpart to the exquisite, but just different existing projects and websites about the musician.
To excite kids and students or to bother the words above again, not to scare them away, that is an ambitious part of the aspect inside my project.
To transport highly complicated material excitingly, to edit it and to make it easy consumable: that is what I want with these pages and the whole cross-media project.
For that purpose, this website is prepared multi-medially too. It is a website to experience and to discover, maybe it is even a "Johann Sebastian Bach Adventure Park.
The " Facts, Facts, Facts " section provides answers "to the point" — however in a different way. Moreover, for those who hate lengthy biographies, there is not just the one short biography, I offer eight ones in various lengths, including a brief video biography.
Biographies: short and even shorter. To read, to experience via an interactive back and forth to a version with music or without.
Finally, there is the mentioned nine-minute biography video: just to relax and watch. Sure: This paragraph here It is written for music teachers, for musicians with children, for schools, for music societies, for parents and grandparents.
With fun and while interacting with the audiovisual offerings like videos, music videos, and background music, I want to offer the theme of Johann Sebastian Bach in a pedagogical way; in a way that is only possible with this modern medium.
This Johann Sebastian Bach website is supposed to be the opposite of boring Some corners of this website have changed already during the evolution process.
So the short biographies and in particular the FAQs were developed to be more and more child-friendly. Beyond these FAQ, this platform wants to pick up interested folks on the internet: as the author, I have developed additional very unusual questions, that students or a young person could possibly ask.
They are answered here. First, this offer starts with the answers to the most exciting questions. However, that will change chaotically soon — in the sense of the word.
While the question "Who is the father of Johann Sebastian Bach? This future area of the FAQ, that is to say starting with FAQ and the following is currently coming into being in summer A short portion of advertisement is just necessary here and now It is an offer for the very youngest in our society, which you can introduce as late as summer to the work and life of the Thomas Cantor with a coloring book.
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Are you still here? I am very pleased. Therefore, I thank you very much for your patience. For your time. I did not take it easy: to either make this introduction short or — as a second option — to write just like I love to write.
Finally, I decided for the second option. As you always have the possibility to cancel the rest, take a shortcut or start to explore the page on your own, as it is well arranged.
Also, this website is designed to be a Johann Sebastian Bach Adventure Park. However, maybe you are here to let me entertain you in "the matter of the master.
That is why it's not about writing all that in a shorter way. In our current internet era, there is almost no time left for anything, and there is nearly no time left to enjoy something on the internet that you found recently, because you are actually already on the hunt for the next entertainment, which you want to consume as fast as you possibly can.
Speaking of that, take yourself some time, when you discover the many Johann Sebastian Bach stamps, take your time when you watch all the Johann Sebastian Bach videos or when you discover all those Bach photos in the Bach image archive.
Just for fun, make acquaintance with the Bach FAQ. Alternatively, I invite you as a guest for a short Bach short biography or a more extended Bach short biography.
Nowhere else can you get a collection of all current new books on the market: I prepared such for you. The same thing is correct for the genealogy.
It's unique in size and correctness in the world. The so-called Bach quodlibet is worth a click. What about the Bach cartoon section?
Thanks for your attention. Also, as said, thank you for your time. A long, long time ago I already had fun living: author Peter Bach, Jr.
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FAQ 1 — Who Was Johann Sebastian Bach from Thuringia? FAQ 2 — In Which Epoch Did Johann Sebastian Bach Live? FAQ 4 — How Old Did Joh.
Bach Die? FAQ 6 — Where Exactly Was Joh. Bach Born in Eisenach? FAQ 7 — How Many Siblings Did Johann Sebastian Bach Have? FAQ 8 — What Was the Name of Joh.
Bach's Father? FAQ 9 — What Was the Name of Joh. Bach's Mother? FAQ 10 — What Were the Names of Joh. Bach's Siblings?
FAQ 11 — Was J. Bach a Good Student? FAQ 12 — Did Johann Sebastian Bach Have a Happy Childhood? FAQ 13 — What Was the Name of J.
Bach's Stepmother? FAQ 14 — Where Did Joh. Bach Live? FAQ 15 — In Which Cities Did Bach Work? FAQ 16 — What Was the Name of Joh. Bach's First Wife?
FAQ 17 — How Old Was Bach, When He Married for the First Time? FAQ 18 — How Did J. Bach Meet His Wife? FAQ 19 — How Old Was Bach, When He Became Father?
FAQ 20 — Why Did Bach Marry Two Times? FAQ 21 — What Was the Name of J. Bach's Second Wife? FAQ 22 — Had Bach Fallen in Love Two Times?
FAQ 23 — Did Bach Have Children? How Many Children? FAQ 24 — How Many Kids Did J. Bach Have With His Wife 1?
FAQ 25 — How Many Children Did J. Bach Have With His Wife 2? FAQ 26 — What Were the Names of All of Johann Sebastian Bach's Kids? FAQ 27 — How Many of Bach's Children Lived Beyond Age 18?
FAQ 28 — Was Johann Sebastian Bach Rich? FAQ 29 — Who Is P. Bach's Death? FAQ 31 — On Which Cemetery Is Joh. Bach Buried? FAQ 32 — Has Joh. Bach's Graveyard Always Been, Where It Is Today?
FAQ 33 — Are There Still Many Letters of Joh. Bach Existing? FAQ 34 — Are There Any Handwritten Documents of Bach? FAQ 35 — When Did Joh.
Bach Start to Compose? FAQ 36 — Did Johann Seb. Bach Compose Only Church Music? FAQ 37 — Was Johann Sebastian Bach Self-Employed Back Then? FAQ 38 — Did Bach "Just" Compose?
Or Did He Perform Music and Teach Music, Too? FAQ 39 — Did J. Bach Play Any Instruments? FAQ 40 — Has Johann Sebastian Bach Practiced Much?
FAQ 41 — Was Joh. Bach a Teacher Too? FAQ 42 — Which Professions Did Bach Have During His Life? FAQ 43 — Did Johann Sebastian Bach Compose Much Music?
FAQ 44 — What Is a Cantor? FAQ 45 — What Is a Thomas Cantor? FAQ 46 — Is There an Anna Cantor As Well? FAQ 47 — Who Are the Thomaners?
FAQ 48 — Are the Thomaners Famous? FAQ 49 — What Was Johann Seb. Bach in Leipzig Responsible For? FAQ 50 — Was Johann Sebastian Bach Happy Everywhere?
FAQ 51 — Which Titles Did Johann Sebastian Bach Have in His Life? FAQ 52 — What Was Musical Highlight in Johann Seb. Bach's Life? FAQ 53 — What Did Johann Sebastian Bach Earn?
FAQ 54 — Was Johann Seb. Bach a Hothead? FAQ 55 — Did Johann Sebastian Bach Once Throw a Peruke? FAQ 56 — Was Johann Seb.
Bach a Musical Child Genius? FAQ 57 — Which Works of Johann Sebastian Bach Are the Best? FAQ 58 — Which Works of Johann Seb.
Bach Are the Most Beautiful? FAQ 59 — Was Bach's Complete Work Really Forgotten? FAQ 60 — Is All of Johann Sebastian Bach's Work Preserved? FAQ 61 — How Many Musical Works Did Joh.
Bach Compose? FAQ 62 — What Is the BWV? FAQ 63 — What Is the Bach Werke Verzeichnis? FAQ 64 — Are All Works of J. Bach Known? FAQ 65 — Who Was Felix Mendelssohn Bartholdy?
FAQ 66 — Is There an Unfinished Work of Joh. FAQ 67 — Are There Famous Bach Critics?